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Tue
8th
May
2012
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Wed
22nd
Jun
2011
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You are not a car. You know you are not a car. You are not a car. You know you’re not a car.
— It’s been a while since I’ve posted, but this Providence idiot behind my bicycle at a stoplight today. Unfortunately for him, he was wasting time clearing something up that I was already clear on. I never thought I was a car, and even when I drive one I don’t think that—maybe he thinks he is a car?
Tue
21st
Dec
2010
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That about says it all.

That about says it all.

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Mon
6th
Dec
2010
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Almost free

Finally broke 10,000 on my thesis word count. The end is (finally) near. But then again, at this point it needs to be.

Sun
19th
Sep
2010
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Down with gouty academics and drunken, ignorant professors!
— The Manifesto of Futurist Painters can be thanked for this gem, which I noted as a reminder of who I don’t want to be as a result of my immersion into academia.
Sat
18th
Sep
2010
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google

I’m a bit freaked out by how ever-present and all-knowing google is, but sometimes they’re just so smart. I discovered a new feature today while writing an email in the gmail setup: when I go to send it, a box pops up that say something like, ‘You used the words “I’m attaching” in your email, but didn’t attach anything. Do you want to continue?’
That, right there, would be why google is google.

Fri
10th
Sep
2010
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the sprains and ruptures of sense
— We can thank Wendell Berry for this delightful use of the English language (in The Unsettling of America)
Wed
8th
Sep
2010
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Nobody but Frenchmen and Hollywood homos still believe that old saw about how Southern men are as cold and bold as their women are flighty and sentimental, when the fact is just the reverse. In truth, no Southern woman has believed a word out of the mouth of a Southern man since 1861, when the men went riding off on their chargers shouting, “Not to worry, sugar plum. We’ll be home early from the war.” As a result, your average Southern belle of today is about as sentimental as a chain saw. And though she might twitter on about good manners and religion and such, when it really comes down to it, she don’t believe in nothing but hard currency, land in clear title, and rigged elections…. On the other hand, your average Southern gent, of which I was a touching example, believes in his heart of hearts and despite his rough and tumble ways, in fair play—and remains a fool for any kind of romantic adventure that requires charging the cannon to demonstrate his pure and constant allegiance to some lost cause, which, often as not, turns out to be one of them beautiful Southern girls without an ounce of mercy nor a jot of fair.
— Dave Hickey, in his book Air Guitar (but writing as Hank Williams)
Mon
19th
Jul
2010
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I grew up in Virginia, in the flat land not near but not far from the ocean. I never remember thinking about the landscape. What I remember was looking out the backseat window at countless, grey columns as we drove alongside another piney woods. We didn’t have vistas where I come from.
They put me on the C&O train every summer and sent me to Kentucky to visit. The train was somewhere in the hills near Ashland by daybreak and I stayed awake every year so I could watch Kentucky beginning to stir. Farmers would be coming along the path from the outhouse in first light and I studied the pictures their farmsteads made composed there against the near hill and I would wonder what these silhouettes would be doing after breakfast.
I am marginally interested in the fussed over landscapes of the Central Bluegrass. I do find wilderness areas delicious to smell and aesthetically satisfying, but it is the worked land which supports a single family with varying degrees of difficulty or ease that I find most arresting, that comes mind when I think about ‘landscape’. Fence rows gone to honeysuckle but still working, great breasts and buttocks of dried winter grass folding down to an iridescent green thatch of winter rye tagging last year’s tobacco patch: the beauty takes my breath. But there is more. Any one of these visions carries a subliminal sense of how some human is going to touch that piece of land this year.
— Sarah Tate, reflecting on the three thoughts that come to her mind when considering the Southern landscape, this being the first one: 1. But it is the worked land, as published in an exhibit catalog, A Place Not Forgotten: Landscapes of the South from the Morris Museum of Art. (Lexington, KY: University of Kentucky Art Museum, 1999), 73. Her other two thoughts are 2. After a while you come to know, on the cyclical rhythm of nature, and 3. Until you are beyond sated, on the extravagance of the Southern landscape.
Thu
15th
Jul
2010
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We have been half persuaded by Thoreau and by the evidence of our own brutal use of the land that the earth is beautiful except where man lives, or has passed through; and we have therefore set aside preserves where nature, other than man, might survive, and which men may visit in reasonable numbers and with adequate supervision, for their education and edification. This is an imaginative and admirable idea, and would perhaps be nobler still if we locked the gates to these preserves and denied ourselves entrance, so that we could imagine better what transpires there. We could then turn our attention to the rest of the earth, the part in which we live, which is not yet devoid of life and beauty, and which we might still rescue as a place worth celebrating.
— From the essay by John Szarkowski in American Landscapes (p. 14)
Wed
14th
Jul
2010
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Stumbled across this gem by Brecht back in the day, and just rediscovered it cleaning up the apartment.

Stumbled across this gem by Brecht back in the day, and just rediscovered it cleaning up the apartment.

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Tue
13th
Jul
2010
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Tue
6th
Jul
2010
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Notes from the Oxford American

So I’m still catching up from the Oxford American issues I received during the school year, and ran across some gems in Warwick Sabin’s notes on some of the songs on the CDs included with the music issue.

Particularly, on the South’s relationship to time:
“Faulkner famously said, ‘The past is not dead. In fact it’s not even past.’ When time moves slowly, you can see more of it at once. The past sits down to visit with the present. Time lingers more than it moves.”

And on moving to and from:
“If you’re not from the South, you don’t understand it and you don’t expect to like it…And even if you spend the rest of your life there, and defend it against all comers, you may always feel like an outsider.
“If you are from the South, you don’t expect any one else to like it, and your own complicated feelings may force you to escape it. But it is forever a part of you, and you can return at any time, confident about where you belong.”

Fri
18th
Jun
2010
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In memory of John.

In memory of John.

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