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Fri
29th
Jan
2010
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In the most compelling portraits there is often a collision of wills, an exposure of vulnerability, a seduction or a surrender. Te public face that a sitter would like the world to see is tempered by something deeper. Multiple layers of experience are brought to the surface and the inside is turned out for us to see.
— Sylvia Wolf, Director of the Henry Art Center at U. Washington in conjunction with a portraiture show